Community Engagement

Seniors in Service of Tampa Bay

Tampa Bay, Florida

For many of the older adults living in HUD assisted housing in the Tampa Bay region, routine inspections by landlords are mandatory. In short, inspections are implemented mainly to ensure that the older tenant is able to sustain an independent lifestyle, without the need for continued monitoring of their health, well-being, safety and living environment. For many of the older tenants, life in such households can often come at an aberrant cost.

Realizing that this little known problem was an ever-pervasive threat to many of the older residents in Tampa Bay, Florida, the local organization, Seniors in Service of Tampa Bay (SIS), partnered with a host of regional education institutions and businesses to address how to assist older adults avoid eviction because they are unable to maintain their living environments.

Bridge Builders Award

For the Initiative’s innovative approach to creating sustainable cities through the cross-disciplinary engagement of scholars, community leaders, and project partners.

Entrepreneurial Livable Community Award

For the community’s entrepreneurial spirit in its transformation to become a model for sustainable development and prosperity today.

As the baby-boomer population all reach the age of retirement, many older individuals are going to be forced into assisted living facilities.  This article featured on PlaceMakers by Ben Brown highlights the ElderSpirit Community in Abingdon, VA, which on a relatively small budget, has created a community for older individuals that emphasizes people, skills, and needs.

"Among the Big Issues awaiting communities after we shake off the post-recession blues is what to do about demography. Particularly the part about America’s aging population.

The first-borns among the 76-million-strong Baby Boomer generation reached 65 in 2011. And over the next three decades, the geezer slice of the population pie will swell to 20 percent, compared to a little more than 13 percent in 2010. Take a look at the chart below, compiled from Census projections and pulled from the informative Alliance for Aging site.

That’s more than 88 million folks 65-plus, with the fastest growing cohorts the “oldest-old” segments of 80-plus.

I have a special interest in this topic, given that I’m among those leading-edge Boomers who have reconfigured commerce and culture to suit our tastes over the last half-century. It’s been a great run.

By now, just about everybody not invited to our long-running generational fiesta is tired of indulging Boomer fantasies. Sorry. Since we’re still running lots of stuff and still hoarding most of America’s financial assets, there’s more to come. Currently, we’re in the middle of one of our periodic – and probably our last – reality denial exercises. This is the one where we’re pretending Big Pharma, robots, electric cars and Dr. Oz will extend our playtime into infinity. You know, “60 is the new 40.” Unlike previous Boomer reality ducks, however, this one is going to be tough to buy or lie our way out of....."

Read More.

Lyz Crane draws on the work of practitioners and researchers to characterize the field of arts-based community development in which arts and culture can help achieve place based change related to the physical, social, and economic dimensions of place. This paper examines the premise that the existence of arts is considered a powerful end in itself, Crane then outlines the variety of ways that the actors and activities involved in arts and community development work can relate to and interact with each other to create sustainable communities.  Looking at the cultural ecology of place, creative economy development focuses on fostering local creative businesses and supporting creative workers both in the arts and in supporting industries while cultural development may focus on preserving cultural assets—traditions, language, stories—or on building on them to create stronger, more connected communities.  There is also a complex community development ecosystem of organizations, interests, and tools. Stakeholders may involve arts in their agendas, create arts programming, provide or develop arts spaces, employ artists, and/or partner with arts organizations. Indeed, both the arts and community development are part of the same ecosystem and all of these interactions fall into the category of arts and community development.

Crane places different types of intersections on a passive-active continuum of presence, participation, and application. Prominent nodes of intersection between the arts and community development are identified: animating public spaces; activating public spaces; serving as an anchor or focal point; and serving as a planning engagement tool.  Crane points out that, in terms of outcomes, there may not be much difference between an arts organization with a community-based program and a community organization with an arts-based program.  Oftentimes, the choice of language has to do with their founders or how they are being funded. The difference in effectiveness between these two methods and even a third that is an equal arts organization–community organization partnership is only recently beginning to be explored.

Click here to download the whole document.

In early 2011, the Jamaica Youth Initiative—a working group of governmental, nonprofit and private institutions in a bustling neighborhood in Southern Queens—convened to discuss an important matter affecting their community: disengaged and idle youth. At the end of every school day, thousands of youth crowd the streets of downtown Jamaica, where after school activities are in demand. Partners for Livable Communities (Partners) views this demand as a rare opportunity to focus positive attention on the assets available to and within this youth population. With support from the Hearst Foundation, Partners  is currently collaborating the Youth Initiative, the Greater Jamaica Development Corporation, and the Cultural Development Corporation to develop a framework of goals and recommendations that will expand arts-based after school opportunities. Ultimately, the goal is to provide programming that will enrich the lives of these youth, provide them with meaningful experiences, and assist them in obtaining employment.

Nonprofit urban café creates opportunities for local residents in arts and culture and most importantly, in employment.

Rarely does the subject of water inspire poetic phrases or passionate dedications. While we may occasionally recognize its importance, this appreciation is usually offset by the size of the water bill at the end of the month. Regardless, I’m going to ask an odd question: have you ever celebrated water? If I got a single “yes” I would be very surprised, for the simple reason that there are few formalized occasions for the public to appreciate water. This year, a multitude of civic and non-profit organizations have teamed up to give individuals the opportunity to celebrate their “love for water” in the annual Rachel Carson Sense of Wonder Contest.

2012 marks the 40^th Anniversary of the Clean Water Act. Although it was originally enacted in 1948, the Act was significantly reorganized and expanded in 1972 to regulate discharges of water pollutants and monitoring water quality standards in the United States. The Annual Rachel Carson Sense of Wonder Contest is honoring this anniversary and renaming itself the “Sense of Water Contest” for 2012.

There is a new buzz word in the battle against urban decline and vacant retail space—“pop-ups.” Simply put, a pop-up is a short term use of a retail space. Sometimes they come in the form of holiday stores, which close down after the season, while Target and other large retailers use them to promote specific products or lines.  Urban development initiatives, however, have begun to use pop-ups as a tool to reinvigorate declining shopping districts and main streets by changing perceptions of the neighborhoods they open in and demonstrating to potential investors and entrepreneurs the value of investing in these communities.

Berkeley, CA

A cultural institution that embraces the arts as a means to examine deeper social issues.